If you wish to hear a song by Modern Talking's style, whose lyrics have been written by you, yourself, you can give it a try! Why not!?
Before you submit your lyrics please read the following text and read them carefully, while you care about the legal notes, which can be found at live-mt's homepage! Then submit your lyrics by email to .Normally you will  be replied in 3 days time..
The lyrics of Modern Talking songs are based on a typical 2-verse 2-chorus format with some considerations. The following image can illustrate some details about the lyrics of "You're my heart, you're my soul". Please read it carefully and try to adapt your lyrics with these details:

• In many cases the introduction, sections 2 and 3 are chord-compatible. It means that Modern Talking has a highly-modular style and different parts of a song can be performed on the rhythm of the other parts (e.g. in "Cheri Cheri lady" almost all the sections except the introduction are chord-compatible, based on Am,Em,Dm and G chord sequence while the introduction is based on Am,F and G chords).The same as "Don't take away my heartt" on C-Em-F and G. 

• Sections 2-1 and 2-2 are complete mirrors of each of other. They are the most important sections in the lyric because the title of the song and also the main idea of the song are mentioned in them. For each song on this website, the chords of this section have been listed as "Main Chords" in the description of each song.

• Sections 3-1 and 3-2 are also complete mirrors of each other. The title is mentioned here too. This section is performed by high pitch. Almost in all of the cases these sections are chord-compatible with Section 2-1 and 2-2. There are few exceptions for this state (e.g. "Sexy sexy lover", "Atlantis is calling ((S.O.S for love)", "Fly to the moon", "China in her eyes", "S.M.S. to my heart" and some more). Almost in all of the ballads these two sections are omitted since there were no high-pitch choruses in the ballads. There are also some dance songs with this characteristic (e.g. "Time is on my side", "Avec Toi", "I'm not guilty", "Anything is possible", "We take the chance" and some more).

• Sections 1 and 4 are compatible in notes, chords, the style of the rhymes and also the number of the syllables in the sentences of the lyrics. Note that in many cases the meaning is more important than keeping the same number of the syllables. This is normally handled by changing the time duration of the notes in the music and it is acceptable to some extent. Because of the compatibility in the chords, these two sections should be also in correspondence in the content and also in the feeling of the words. As an example you can see this structure in the lyric of "When the sky rained firee" from the Victory album:

• In some cases at the starting point of section 4, many of the instruments in the rhythm are omitted while the rhythm returns to it's normal form at the starting point of the 2nd division of section 4 ( You can check this in "Time is on my side", "I'm not guilty", "Angie's Heart (version 1998)" and "Should I, would I, Could I").

• Almost all of the Modern Talking songs focus on the positive side of LOVE in the content. There are only a few songs that are focused on sport-related theme (e.g.  "We take the chance", "Win the race" and "Ready for the victory") or a half-negative side of love (e.g. "Never fall in love again", "Girl out of my dreams", "Crying in the night" (of course if you consider it as a Modern Talking song)).
  Please note to this factor and try to talk about a good mood!